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Шкандрий
Ярослав Онуфриевич
Заслуженный художник России, Академик Петровской Академии Наук и Искусств.
Родился
24 февраля 1948 года в городе Станиславе (с 1962 года
Ивагово-Франковск). в 1970 году поступил в
художественное
училище им. В.А.Серова (ныне им. К.Х.Рериха). После его окончания в
1974 году продолжил своё образование в Академию художеств на
реставрационном отделении живописного факультета.
В
1980 году закончил Академию и работал в реставрационных
мастерских Эрмитажа;
с 1981 года преподаватель а Академии художеств,
заведующий
лаборатогрии техники живописи. Одновременно занимался
творческой
работой и учавствовал в художественных выставках.
Написанные произведения имеют признание в нашей стране и за
рубежом, приобретаются музеями,
находятся в частных собраниях. С 1988 года - член союза
художников, реставратор первой категории по станковой
живописи. В
совершенстве владею техникой живописи греческой и
ранннеитадьянской
школ, а также итальянской, французской, голландской,
английской техниками живописи XVI-XVIII
веков. В 1992 году был приглашён в Канаду, расписывал в
городе Торонто церковь в византийском стиле
XIV-XVI веков, в последующие годы работал а США, Корее.
Участвовал в росписи воссозданного храма
"Христа Спасителя" в Москве. На одном из малыых куполов
написаны
четыре серафима; на арках - иконы Божией Матери:
Владимирской,
Донской, Иерусалимской и Иверской - одних из самых почимаемых в
России. Роспись выполнена по всем правилан церковной живописи.
Отзывы о
творчестве:
" Художник создал
образы,
в буквальном смысле, нерукотворные." (по материалам книги
А.С.Шалыгина «Известные
и выдающиеся художники Санкт- Петербурга в современном
искусстве»).
Yaroslav
Shkandriy
Nowadays
only few artists strive to reach the
top professionalism of
old masters - painters of the Renaissance epoch. The
name of Yaroslav
Shkandriy stands out among these few. One may assert without
exaggeration that this artist is the only in Russia and, probably,
in the whole
world, who has mastered the technique of painting
of such artists of genius as
Leonardo da Vinci, Rubens, Sneiders.
He is one of those who follow the
traditions of the great old
masters.
Yaroslav
Onufrievich
Shkandriy was born on 24
February, 1948 in the town of Stanislav (called
Ivano-Frankovsk
from 1962). His passion for painting, belief in his vocation
brought him to Leningrad where
in
1970 he entered the Art School named after V.A. Serov (now
named after N.K. Rerikh).
After its graduation in 1974 Yaroslav Shkandriy
continued his education at the
Academy of
Arts, Faculty of Painting, Restoration Department. In 1980 he
graduated from the Academy and started
working at the Hermitage
restoration
studios; from 1981 he has been teaching at the Academy
of Arts,
heading the painting technique laboratory.
Simultaneously he
is engaged in creative
work
and takes part in art exhibitions. His works have won
recognition
in our
country and
abroad; they are acquired by museum sand are contained in private
collections. In 1988 Yaroslav
Shkandriy became a member of the Artists Union.
He is a 1st
category
restorer working with
easel painting. The
choice of Restoration Department of the Academy of
Arts' Faculty of Painting
enabled him to master the technique of old masters
and achieve superb
professionalism. He
has reached perfection in the painting
technique of Greek
and early Italian schools, as well as Italian,
French, Dutch, English
painting techniques of XVI-XVIII centuries. Yaroslav
Shkandriy's name
is
widely known. In 1992 he was invited to Canada
where he ornamented
a church in Toronto
recreating the XlV-XVI-centuries' Byzantine style;
subsequently he
worked in
USA, Korea.
The artist works in all painting genres,
using all kinds of materials: oil, water-colour, dry and oily
pastel crayon,
acryl, egg-based tempera and even wax dyes. He achieves
perfection
and live phonation of paints in all of his
compositions, especially in his
favorite
genre, being most difficult - the
portrait. The miniatures
executed by him
strike one by subtlety of artistic performance and
unsurpassed
mastery. His miniature «Portrait of I.
Arutyunyan» is in the
Tretyakov Gallery.
The
masterly level of technique and artistic
culture are important constituents of Yaroslav Shkandriy's
creative art. The other facet of his art is based on the
study of nature. He notes: «Artists often try to
draw
inspiration in their
personal self. But we do not have so much inside
us as we might think. The
nature is what God has created. The nature is what inspires
us». Working over the portrait, the artist
sets
the task to himself to expose the inner substance
of a human, to show his virtues. The
same concerns
his landscapes and still
lifes.
Yaroslav Shkandriy does not follow any
specific trends of our time in his creative art, no matter
whether they have
the prefix «neo» or end with
«ism». He
chose the only way continuing the natural course of
evolution in the development of painting, that could be
called the old masters' way.
Yaroslav Shkandriy participated in painting
of the recreated Cathedral of the Redeemer in Moscow.
He painted four seraphs
on one of the small domes and the icons of the Holy Virgin on
the arches: the
Vladimir-, the Don-, the Jerusalem- and the Iberian- Icons of
the Mother of God
- one of the most revered in Russia.
A
first-class restorer of easel painting and a member of the Union
of Artists, Yaroslav Shkandry has contributed to numerous
exhibitions of art. His
works are now in museum collections in Russia and private
collections
in
Sweden, Canada, United States, Israel, United
Kingdom, Holland,
Germany, Italy,
France and the United Arab Emirates.
Shkandry's
the oretical and professional interests include the
artistic media of various
periods and schools, such as the early Italian
and Greek schools and the
Italian, French, Dutch and English painting of the
sixteenth to eighteenth
centuries. He is well acquainted with the oeuvres of Sir Peter
Paul Rubens and
the artists of his school.
Yaroslav
Shkandriy is also familiar with the Russian school of
painting. In 1992, he
painted the murals
for a church in the Byzantine style of the fourteenth to
sixteenth centuries in Toronto, Canada*
He restored painterly plafonds on the
ceiling of the Metropolitan Club in New York in 1996
and 1997. In 1999,
Shkandry executed a series of painterly commissions for the Church of Christ
the Saviour in Moscow (in the small cupola and choral arches)
and the Russian
Orthodox Church in Seoul, Korea. An
outstanding miniaturist and portraitist,
Shkandry has an excellent command
of pastels, watercolors,
tempera and oil painting. He is also the author of
articles
and publications in specialist,
student and periodical literature on the technical
and
technological aspects
of
painting, the subject he teaches at the llya Repin
Institute of
Painting,
Sculpture and Architecture in St Petersburg.
Yaroslav Shkandriy
Nowadays
only
few artists strive to reach the
top professionalism of
old masters - painters of the Renaissance epoch. The
name of Yaroslav
Shkandriy stands out among these few. One may assert without
exaggeration that this artist is the only in Russia and, probably,
in the whole
world, who has mastered the technique of painting
of such artists of genius as
Leonardo da Vinci, Rubens, Sneiders.
He is one of those who follow the
traditions of the great old
masters.
Yaroslav
Onifrievich
Shkandriy was born on 24
February, 1948 in the town of Stanislav (called
Ivano-Frankovsk
from 1962). His passion for painting, belief in his vocation
brought him to Leningrad where in
1970 he entered the Art School named after V.A. Serov (now
named after N.K. Rerikh).
After its graduation in 1974 Yaroslav Shkandriy
continued his education at the
Academy of Arts, Faculty of Painting, Restoration
Department. In 1980 he
graduated from the Academy and started working at
the Hermitage
restoration
studios; from 1981 he has been teaching at
the Academy of Arts,
heading the painting technique laboratory.
Simultaneously he
is engaged in creative work
and takes part in art exhibitions. His works have won
recognition
in our
country and abroad; they are acquired by museums and are
contained in private
collections. In 1988 Yaroslav
Shkandriy became a member of theArtists Union.
He is a 1st category
restorer working with easel painting. The
choice of Restoration Department of the Academy of
Arts' Faculty of Painting
enabled him to master the technique of old masters
and achieve superb
professionalism. He has reached perfection in the
painting
technique of Greek
and early Italian schools, as well as Italian,
French, Dutch, English
painting techniques of XVI-XVIII centuries. Yaroslav
Shkandriy's name is
widely known. In 1992 he was invited to Canada
where he ornamented
a church in Toronto
recreating the XlV-XVI-centuries' Byzantine style;
subsequently he
worked in
USA, Korea.
The artist works in all painting genres,
using all kinds of materials: oil, water-colour, dry and oily
pastel
crayon,
acryl, egg-based tempera and even wax dyes. He achieves
perfection
and live phonation of paints in all of his
compositions, especially in his
favourite
genre, being most difficult - the
portrait. The miniatures
executed by him
strike one by subtlety of artistic performance and
unsurpassed
mastery. His miniature «Portrait of I.
Arutyunyan» is in the
Tretyakov Gallery.
The
masterly level of technique and artistic
culture are important constituents of Yaroslav Shkandriy's
creative art. The other facet of his art is based on the
study of nature. He notes: «Artists often try to
draw
inspiration in their
personal self. But we do not have so much inside
us as we might think. The
nature is what God has created. The nature is what inspires
us». Working over the portrait, the artist
sets
the task to himself to expose the inner substance
of a human, to show his virtues. The
same concerns
his landscapes and still
lifes.
Yaroslav Shkandriy does not follow any
specific trends of our time in his creative art, no matter
whether they have
the prefix «neo» or end with
«ism». He
chose the only way continuing the natural course of
evolution in the development of painting, that could be
called the old masters'
way.
Yaroslav Shkandriy participated in painting
of the recreated Cathedral of the Redeemer in Moscow.
He painted four seraphs
on one of the small domes and the icons of the Holy Virgin on
the arches: the
Vladimir-, the Don-, the Jerusalem- and the Iberian- Icons of
the Mother of God
- one of the most revered in Russia.
A
first-class restorer of easel painting and a member of the Union
of Artists, Yaroslav Shkandry has contributed to numerous
exhibitions of art. His
works are now in museum collections in Russia and private
collections
in
Sweden, Canada, United States, Israel, United
Kingdom, Holland,
Germany, Italy,
France and the United Arab Emirates.
Shkandry's
the oretical and professional interests include the
artistic media of various
periods and schools, such as the early Italian and Greek
schools and the
Italian, French, Dutch and English painting of the
sixteenth to eighteenth
centuries. He is well acquainted with the oeuvres of Sir Peter
Paul Rubens and
the artists of his school.
Yaroslav
Shkandriy is also familiar with the Russian school of
painting. In 1992, he
painted the murals for
a church in the Byzantine style of the fourteenth to
sixteenth centuries in Toronto, Canada*
He restored painterly plafonds on the
ceiling of the Metropolitan Club in New York in 1996
and 1997. In 1999,
Shkandry executed a series of painterly commissions for the Church of Christ
the Saviour in Moscow (in the small cupola and choral arches)
and the Russian
Orthodox Church in Seoul, Korea. An
outstanding miniaturist and portraitist,
Shkandry has an excellent command
of pastels, watercolors,
tempera and oil painting. He is also the author of
articles
and publications in specialist,
student and periodical literature on the technical
and
technological aspects
of
painting, the subject he teaches at the llya Repin
Institute of
Painting,
Sculpture and Architecture in St Petersburg.
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